Az Chike – Look Like My Mama

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School first. No people yet.

That beat carries the exact words: “I look just like my mama”

Wide exterior under overcast dusk: tan stucco facade, black sans NRFTW HIGH SCHOOL over a large interlocking maroon-and-white NR logo, American flag on a tall silver flagpole, glass double doors under a red-trimmed portico, wide concrete stairs with dual silver handrails. Daylight return — blue on-screen NRFTW HIGH SCHOOL above the maroon-white NR mark, flat red awning, two black park benches and two black trash cans flanking the stairs, manicured bushes and trees at the base.

Inside the halls, two Black men stand face-camera before color-block lockers — light blue, red, orange, light blue. The companion takes center between orange and light-blue doors with a slight grin, head turned camera-right — white ringer tee with dark trim and a pixelated red chest graphic, blue jeans, black leather belt with silver buckle, thick gold chain, stud earrings, thin clear-frame glasses, silver-toned grill on his teeth. AZ Chike stands left hands-on-hips beside him — light-blue western embroidered shirt, black bolo with silver slide, dark jeans, brown belt with a large silver buckle, short fade, left-neck tattoos.

Outside, a Black person’s left hand presses blue painter’s tape to affix a flyer on a red octagonal STOP sign — gothic NO REST FOR THE WICKED-look text, 09 2026, palm and utility-pole silhouette, dark digital square wristwatch that looks Casio on the forearm. Indoors a man with a short fade in a white tee reaches up with blue painter’s tape to hang a Wanted-aesthetic poster over a round wall clock against red brick — WANTED FOR / MURDER-look text, date line with stars, silver-rim clock near twelve.

The companion looks over his shoulder at camera chest-up before a large teal-green world map — mouth slightly open, gold cap or grill on an upper tooth, gold-rim aviators, large diamond stud left ear, thick gold chain, white ringer tee with navy collar. AZ Chike and the companion dap in the hallway before red and orange lockers — Chike faces camera neutral in the light-blue long-sleeve western shirt, short fade, goatee, silver stud left ear; companion in the white tee with navy sleeve trim and a dark beaded bracelet. Mid-hall vanishing-point pose: Chike duck-footed wide stance animated face-camera — clear thick glasses, thin gold chain, white graphic tee tucked into medium jeans, black belt, bulky black boots, short dark twists.

AZ Chike takes the locker center waist-up — head tilted, eyes closed, mouth parted, short high fade, groomed facial hair, dark tattoos front and sides of the neck, silver stud earrings, light-blue western button-down with white floral yoke embroidery and white piping, black bolo with a silver bull-skull-look slide and silver tips.

Mid-hall he adjusts his collar looking off left while the companion stares camera and pulls his belt loops — long corridor of orange and light-blue lockers under fluorescents, PLEDGE TO BE DRUG FREE sign on the right wall. They walk toward camera down the hallway — Chike gestures three fingers near his mouth face-camera; companion looks down adjusting his belt.

Close on a flyer blue-taped on a flat red door or panel — gothic NO REST FOR THE WICKED, serif 09.18.2026 flanked by four-point stars, LOS ANGELES, CA below. Chike leans the lockers waist-up gaze off-camera right, hands tucked near belt and pockets — light-blue turquoise western long-sleeve with white floral yoke embroidery, silver bolo with decorative slide and hanging tips, dark brown leather belt with a large ornate rectangular silver western buckle, dark trousers.

Night industrial flips the tape.

A masked man stands beside a dark bus or vehicle in an industrial lot looking upward startled mouth open, right hand gripping a vertical metallic door handle — white featureless theater mask perched on the side of his head over a dark beanie, dark navy zip-up jacket with red circular embroidery near the hem, faded gray denim jeans. He hangs and leans from the vehicle side gripping a vertical bar, body out, intense open-mouth stare at camera — white mask tilted over black beanie, dark zip-up hoodie with a small red-and-blue chest graphic, light-blue jeans; chain-link fence and warehouse under cold blue security lights behind.

A man sprints away from camera toward blinding white light under a metal-framed covered walkway — lean-forward silhouette in a dark navy or black long-sleeve jacket and light-wash blue jeans. Someone who looks like AZ Chike crouches low behind a bright red fire hydrant topped with a crumpled white-and-pink plastic bag — hunched head-down silhouette under hard overhead light, long stark shadows stretch right; black balaclava with a white skull-like face print, dark navy zip-up jacket. A man recoils onto his back on the concrete sidewalk night behind the red fire hydrant — legs kicked high, lands diagonal before a weathered red brick wall under warm moody spotlight; dark charcoal zip-up jacket, baggy light-wash blue jeans, thick white fur-lined ushanka hat, cream sneakers.

The vocal cuts through the cut: “call me Mr. Hundred Million”

After that the burn.

AZ Chike stands center in a dark industrial lot staring camera intense — black armored security truck directly behind engulfed in massive roaring orange and white flames from wheels and interior, paper currency and debris scattered on the gritty foreground, corrugated metal wall and silhouetted palm tree behind; black knit beanie, black turtleneck, weathered brown leather jacket. Low-angle wide he stays stoic face-camera as fierce roaring orange flames lick the night sky, dozens of scattered paper bills around his feet. Stoic center foreground he clasps hands low front torso calm and unbothered while towering orange flames erupt from roof, windows, and wheel wells. Prayerful palms-together near his face, steady intense gaze at the lens — sharp brown leather blazer, black turtleneck, matching brown trousers, black knit beanie, chaotic inferno backlight.

Cut indoors. Tyler, The Creator owns the sofa.

He sits upright on a dark brown pleated leather sofa stoic weary stare at the lens — thick white medical bandage taped over the right eye extending onto the forehead, white gauze wrapped tightly around the neck, oversized white crewneck tee, glimmering diamond studs both ears, short black hair, thin mustache. Centered on the dark brown wrinkled leather couch battered and weary — large thick white gauze taped over the right eye, bulky white bandage or soft neck brace around the throat, dazed pained stare camera mouth slightly open teeth visible, left eye half-lidded.

Softly lit interior midsection and arms: someone who looks like AZ Chike clasps dark-skinned hands at the waist — dark brown varsity jacket with polished leather sleeves, wool body, silver snap buttons, ribbed brown cuffs; large diamond-set luxury watch on a metallic bracelet left wrist.

Tyler sits upright on the plush dark brown leather sofa against a plain white wall — dazed stare at the lens mouth slightly parted performing, thick white medical bandage on the right eye, white gauze neck brace at the throat, heavy grey textured fleece blanket draped over lap and legs.

AZ Chike sits pensive lean-forward hands clasped look-down somber in a dim room soft side-light through vertical blinds — dark brown varsity jacket with contrasting dark leather sleeves, light grey inner shirt, thin silver chain with cross pendant, large iced-out silver wristwatch, black trousers. They sit together in a sparse moody interior — Chike left in a plush black leather chair stoic forward gripping a partially opened snack bag; companion right lean-forward gaze down hands expressive rhythmic gesture talking or rapping; retro silver CRT on a dark media console AV stack. Somber AZ Chike lean-forward look down-side pensive heavy-lidded delivering lyrics — dark chocolate brown varsity jacket matching leather sleeves silver snap buttons, charcoal grey mock-neck, silver chain small cross pendant, diamond stud earring. Sitting a large black leather executive chair look down-away lower-right profile contemplative — clean buzz fade, groomed mustache short goatee, bright diamond stud left ear, black velour or velvet zip-up track jacket thin red piping along shoulder seams and full sleeve length. Tyler sits motionless look-forward on the dark brown leather sofa — bulky white gauze bandage taped over the right eye, thick white medical wrap entire neck, head tilted slightly upward dazed weary, plain white short-sleeve cotton tee. Chike seated lean-forward look downward somber pensive eyes nearly closed hands clasped deliver lyrics — brown varsity jacket dark leather sleeves silver snap buttons, dark grey mock-neck sweater, two layered silver chains one small cross draped chest.

Day industrial lot. Red Chevy.

AZ Chike leans back against the driver-side fender of a bright red vintage Chevrolet pickup checking his watch looking down at the left wrist gesturing — Tyler, The Creator leans against the rear bed looking down toward his waist; industrial yard silver corrugated metal wall and weathered rusty fence panels, harsh noon sun. Chike leans against the passenger-side cab looking down-away; Tyler further back arms crossed leaning the rear fender or bed looking frame-left. Tyler leans back against the rounded rear fender looking toward Chike expressive surprised hands mid-gesture; Chike foreground leans side against the truck bed near the cab stoic face-forward. Tyler leans on the red vintage Chevy tailgate left hand toward Chike; Chike leans against the driver-side cab cigar in mouth looking toward Tyler.

Tyler lights a cigarette leaning the rear of the bright red Chevrolet pickup bed right arm extended lighter flame to AZ Chike who leans the driver-side door forward cigarette in mouth toward the flame — brown leather doctor-style bag on the asphalt between them. Chike exhales thick white smoke cloud leaning the driver-side door; Tyler leans the rear bed looking upward. Full-body pose: Tyler leans the rear fender hands clasped; Chike leans the driver-side door holds a lit cigarette smoke trailing up; large brown leather doctor’s bag asphalt between them. Tyler holds a smartphone high overhead both hands angled down at his face selfie-style leaning the truck-bed side; Chike leans the passenger or cab door face-camera hands in pockets one leg crossed relaxed; large dark brown leather duffel asphalt near the truck bed.

Under the picture the vocal sits plain: “my mama prayed for me”

Chike checks his silver wristwatch foreground center; Tyler background left next to the red vintage pickup holds a brown leather bag looking away; white vintage truck parked right. Chike gestures face-camera center industrial yard between two vintage pickups — red 1950s-look Chevrolet left driver-side door open; someone who looks like Tyler left by the red truck in a grey suit and white fedora holds a dark brown briefcase; white vintage pickup right with a man in the driver’s seat. Tyler poses outdoors before a corrugated metal hangar beside the vintage red pickup driver-side door open — looks upward-left confident arms slightly out sides bright direct sun; light gray three-piece tweed, white dress shirt, cream tie, white pocket square, white fedora. Chike adjusts his lapels center foreground looks down both hands on jacket — Tyler by the red truck holding a large brown leather bag or case facing center; white vintage pickup right older man in vest and white hat looks center.

Torso-only adjusting a grey textured vest — looks like Tyler outdoors; vintage white pickup that looks 1960s Ford F soft behind. Chike raps center foreground sunny industrial lot looking downward-left performing between bright red pickup left and white pickup right — background observers man grey suit leather bag by the red truck, man vest tan pants by the white truck. He adjusts a cuff looking down sleeve — Tyler background left walks away from the red truck carrying a brown leather suitcase. Chike adjusts his jacket center between red and white vintage pickups looks down slight smirk — background left a man in white wide-brim hat and grey vest crouched by the red truck aims a rifle frame-right; background right a man in similar white hat and vest walks away past the white pickup.

Night suburban lawn. Dark suits.

A man left bent over reaching toward grass; a man right stands behind holding a long wooden rifle across his chest — both dark suits white dress shirts; looks like AZ Chike and Tyler, The Creator. Standing guard dark suburban lawn night — man left hunched grips a bulky silver futuristic sci-fi blaster with glowing orange circular details; man right seen from back holds a wooden-stock shotgun across chest and shoulder; both matching black suits crisp white dress shirts slim black neckties. Aiming skyward then at camera — AZ Chike with a dark shoulder-mounted RPG-style launcher dark sunglasses; Tyler with a larger rifle-style futuristic silver and black blaster glowing light; both black suits white dress shirts black ties dark narrow sunglasses Men-in-Black aesthetic dim blue nocturnal background.

A yellow helicopter flies alongside a massive falling silver metallic cylinder in dark night sky above distant city lights. Yellow Airbus H135-look helicopter night sky over blurred city lights — dense multi-color sparks white orange-red cyan-green spray from the tail-rotor area, black-white checkered fuselage stripe and red diagonal under-stripes, blurred spinning main rotors, red cabin interior glow and red nav light on the tail fin. Someone who looks like AZ Chike holds a blaster left-center dark grassy lawn night both hands on a bulky silver futuristic sci-fi weapon looking frame-right focused — black suit jacket white dress shirt black tie dark sunglasses stud earrings. From behind two men on a dark grassy field night face away toward a massive modern blue-glowing stadium or museum-look structure — helicopter overhead casts a bright searchlight down; both black suits white shirts dark ties; looks like AZ Chike and Tyler.

Walking toward camera through a dark grassy field night gazing upward-forward serious and stoic — Tyler left AZ Chike right; matching tailored black suit jackets crisp white button-downs solid black neckties rectangular dark sunglasses Men-in-Black aesthetic. Helicopter hovers head-on dark blue night sky over a dense carpet of city white and yellow lights — underside searchlight blasts blinding white glare vertical lens flare soft purple-tinted circular halo. Yellow helicopter flies directly toward camera — blinding white searchlight creates a massive multi-pointed starburst lens flare.

AZ Chike looks over his shoulder grassy field night three-quarter turns head to camera neutral — man left from behind holds a saxophone vertically by his side not clearly Tyler; large blue-glowing stadium SoFi-look behind, bright centered moon or spotlight haze; dark blazer sunglasses on Chike. Aiming at camera dark grassy field night — Chike left both hands bulky futuristic rifle; companion right RPG launcher on shoulder; matching black suit jackets white collared shirts small black oval sunglasses. Tyler braces a large bulky silver and black sci-fi rifle on his shoulder looking down the sights; Chike both hands a small silver cone Noisy-Cricket-look pistol mouth slightly open intense; dark grassy field tree and bush silhouettes cool night sky.

A young Black boy about eight to twelve gazes upward-left close-up face and shoulders in a dark underexposed interior — serious attentive expression, neat dark cornrow braids, plain white tee, small silver or diamond stud left ear; not AZ Chike or Tyler — a young actor. He watches a CRT sitting the floor back-to-camera in a wood-paneled bedroom facing a small tube TV on a dark dresser showing grainy black-and-white three men in suits — a woman in the doorway left partial silhouette light-brown fuzzy bathrobe dark leggings glasses looks toward the child; posters LOOSE CANNON and GAME TIME basketball court above the dresser; beige floor-lamp right. A figure in white tee dark bottoms dashes left to right heavy motion blur across the foreground wood-paneled bedroom face fully obscured — CRT on dresser shows three outdoor figures on grass; LOOSE CANNON and GAME TIME posters lit by the cream floor lamp right; figure unidentifiable.

Title card on the bulky black CRT centered on a dark wood desk wood-paneled background — screen tan or gold serif LOOK LIKE MY MAMA over AZ CHIKE FEAT TYLER THE CREATOR; left R.I.P SUEDE poster and green-black toy gun with foam darts; right VHS stack white L-750 sleeve and NEW spine. Title plus director credit — gold LOOK LIKE MY MAMA / AZ CHIKE FEAT TYLER THE CREATOR / bottom DIRECTED BY STACKING MEMORIES cut by the bezel.

Cut to black. Solid full-frame black void. No subjects props or light.

NRFTW High School lockers under blue-taped NO REST FOR THE WICKED flyers. Night hydrant crouch into a roaring armored-truck inferno. Tyler bandaged on the leather sofa. Chip bags and a silver CRT. Red Chevrolet pickup cigarette light and doctor’s bag. Men-in-Black lawn under a yellow helicopter searchlight. Boy at the wood-paneled tube watching the title roll. That is the video. Https://www.youtube.com/watch?v=87gO7HMUHeo

The vocal cuts through the cut: “baby, I’m the keyboard killer”

What sticks when the picture dies is the loop the camera already built — same rooms, same wardrobe returns, same motions it would not drop.

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