Fetty P Franklin – All I Know

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HotNewHipHop (Tallie Spencer, September 4, 2026) places “All I Know” as another Fetty P / Bandplay collab in a busy 2026 stretch for the Charlotte rapper, following August’s “Trident,” with Bandplay catalog talk naming Key Glock, Young Dolph, BigXthaPlug, and NLE Choppa, and frames Fetty’s Southern street-rap on Bandplay’s beat as they build a collaborative project.

HotNewHipHop (Tallie Spencer, September 4, 2026) places “All I Know” as another Fetty P / Bandplay collab in a busy 2026 stretch for the Charlotte rapper, following August’s “Trident,” with Bandplay catalog talk naming Key Glock, Young Dolph, BigXthaPlug, and NLE Choppa, and frames Fetty’s Southern street-rap on Bandplay’s beat as they build a collaborative project. Qobuz lists the single September 4, 2026 on Run Things — about two minutes thirty-five, Hip-Hop/Rap — Fetty P Franklin and Bandplay main artists; lyric credits Patrick Glenn Jr., Krishon Gaines, Charles Forsberg; arrangers Charley Cooks, Alexander Wilson, Bandplay. Artist YouTube (FETTY P FRANKLIN, September 4, 2026) titles it *Fetty P Franklin x Bandplay – ALL I KNOW* and opens: “All I know is I came back wit some yay!!” Title cards credit a film directed by Laced Visuals; end card stacks @FETTYPFRANKLIN, @IAMBANDPLAY, @LACEDVIS. Hold press and credits as attributed. On screen:

Night aerial first. Dense lit skyscrapers under a dark sky. Centered white graphic: “Laced” in script with a mic icon in the L, plus “VISUALS” in a white block on a black bar. No people.

After that Fetty P sits the open rear doorway of a dark vehicle, lit blunt at his lips in his left hand, thick white smoke plume across his chest. Metal cage partition behind him. Open door panel right carries a circular black seal reading FETTY P FRANKLIN plus a script signature. Same rear bay again under a thicker smoke cloud; yellow door panel right shows the circular black emblem and signature — black tee, black baseball cap with white circular front logo, heavy iced jewelry — large diamond watch left wrist, large gold ring left hand, layered thick gold chains with large ornate or jeweled pendants.

Hard cut to trash. Ground-level pile beside a building with brown vertical siding. Yellow CAUTION WET FLOOR sign flat on its back among dry brown leaves. Mid-heap: crumpled off-white paper or tarp, flattened cardboard, blue and orange Huggies box, wooden planks. Dark jagged hole in the siding behind. Scattered plastic bottles and colorful trash right. Closer pass of the same leaf-covered heap — same yellow sign, cardboard, newspapers, Huggies box. No people.

Dirt yard. Fetty stands in front of a tan mobile home looking down-right, hands tucked in the overall bib. A second man who looks like Bandplay stands behind at the top of wooden porch steps looking toward him. Yellow wet-floor sign lower-left.

Night title wall. Fetty leans the front-left corner of a blue-painted brick building clapping his hands together. Green light on the facade and roofline. Large center overlay: ALL I KNOW in bold yellow serif, Fetty P. Franklin in script above, A FILM DIRECTED BY LACED VISUALS in smaller serif below. Next lean: shoulder against a wooden post of a dilapidated one-story blue brick and white siding building, looking right, hands clasped near his chin — same yellow title stack — black baseball cap, black tee, black pants or shorts, black sneakers, silver chain.

Daylight trailer smoke owns the next stretch. Outdoor residential yard. He blows thick white smoke from his mouth with a lit cigar in his left hand at his face. Tan or beige mobile home and sun-dappled trees behind. Chest-up and three-quarter exhales keep the same yard — dense white smoke, tree line left — white-rim or gold-frame sunglasses with dark lenses, black tee under black Carhartt bib overalls (right strap fastened in some cuts), diamond stud, iced watch, two layered thick gold and silver chains with a large PFC / P.F.C. Crown pendant, large ring.

Night blue brick returns as a spine set. He leans a blue-painted brick wall next to a barred window of the dilapidated one-story, facing camera, hands gesturing at waist level. Green-lit gabled roof and white siding side. Later he stands center under green artificial light hands gesturing looking at camera; leans white horizontal siding both hands gesturing waist-height mid-performance; stands before teal and white under a green-lit boat or gable structure hands outward; a lean that looks like him at the back left corner left foot propped looking right. Barred white-frame window and black metal security gate door stay. Vibrant green light on the gabled roof.

Armored truck takes the residential night street.

Fetty sits the rear threshold of a light-yellow armored truck, arms raised, fists clenched, flexing, wide smile looking left. Open left rear door: yellow STAY BACK decal. Closed right panel black circular crest: FETTY P FRANKLIN – CHARLOTTE, NC – SINCE 1988 – BY THE DAVISON BRAND, plus cursive Fetty P. Franklin. Red clearance lights top and side. White vinyl fence far left; distant house lights and a partial STOP sign soft in frame. Same open rear of a white or cream armored truck — looking up smiling, both arms raised celebratory; bright interior against dark surroundings; custom Fetty P. Franklin logo on the rear panel. Later returns: open rear bay gesturing at camera with lit white storage cabinets and metal cage; rear bumper facing camera hands near lap; threshold legs dangling arms spread wide Dutch-angle left-cant; leaning forward gesturing at his chest with gold grill visible. Red and orange tail lights; white SUV in a driveway background right; dark car partial left — black or dark grey short-sleeve tee, black or dark shorts or baggy pants, black socks, black sneakers, black baseball cap with white front logo, multiple thick gold chains with large circular pendants, gold watch and gold rings.

Trailer park and wooded clearing keep cutting against the night brick.

Dirt yard before the tan mobile home — right arm extended gesturing right. Bandplay lookalike background right watching. Mobile home has blue tarp on the roof and broken windows. Between trailers he mid-dances in a black short-sleeve jumpsuit, gestures toward a man walking away soft in frame, and walks sun-dappled grass toward camera while a second man near a porch raises his right hand (looks like Bandplay). Wooded clearings: both arms open before a white mobile home; both hands open smiling with Person B mid-left arm raised. Wooden porch of the beige trailer — mid-rap both hands gesturing; looking down-right beside a thick tree trunk with a man in orange bandana in a doorway behind; looking down gesturing while the orange-bandana man peeks a window soft in frame; head tilted back slightly with a bearded man in yellowish headwrap in a doorway right; beside ribbed white trailer siding head tilted back with second person orange bandana and brown overalls in a doorway behind. Yard beats: both hands near chest while Person B walks left background looking back; adjusting overalls front while Person B walks toward him; right arm extended across the body before a light-tan mobile home with Bandplay lookalike crouched left; hands together at a light corrugated metal trailer with a man in a dark doorway behind; open doorway of a tan corrugated metal building mouth slightly open with a person in tan shirt and yellow patterned headwrap interior behind soft in frame; sunlit wooded yard hands out; profile looking down at hands by a large tree trunk and beige mobile home — Fetty across these cuts in a black short-sleeve jumpsuit or black tee under black Carhartt bib overalls (straps fastened, one strap down, or bib hanging), sometimes a graphic tee or shirt with gold bull icons and zipper accents; white-rim, rimless gold-hardware, gold-frame tinted, dark rectangular, wire-frame gradient, or gold-framed clear-lens sunglasses; diamond studs; multiple thick silver, gold, or diamond-link chains with large pendants that read PFC, BP, FPF, PFG, FP, or monogram crowns across cuts; iced, white, or gold watches; large rings; black pants or baggy trousers; black sneakers. Bandplay lookalike wardrobe: orange, brown, yellow-patterned, or golden-orange bandana or head wrap; tan or light grey tee; brown or tan Carhartt-look overalls often one strap undone; thick silver chains with large circular medallions; silver watches; tan work boots.

City car windows own another spine.

He leans out the front passenger window of a white vehicle on a night city street gesturing toward camera — lit skyscrapers, vertical lights, dark road into the distance. Driver’s-side and passenger leans cycle the same white SUV and car: left arm on the sill under cool blue light; looking up-away toward a lit skyline under blue-tinted street light; left arm extended gesturing past streetlights and a traffic light; both hands raised toward an open passenger window looking like a cash stack in the right hand soft in frame; driver seat looking out toward camera left hand near chin; passenger lean looking down toward camera highlighting jewelry; mouth open mid-rap left hand past bokeh streetlights; looking up-left right index pointing skyward; looking back-up low angle under a bright streetlamp; windshield stare; forearms on the frame neutral then serious; right hand with a cigar between the fingers past a multi-story building with many lit windows; driver-side lean left hand toward chin; rear passenger lean looking down into camera holding a cigar under a blue-lit skyscraper. A lean that looks like him raises left hand near the face; another that looks like him holds a thick cash stack to his ear like a phone; a passenger-seat lookalike looks out past blurred city lights. One passenger lean locks a large diamond BM pendant in the left hand with gold grillz visible — black baseball cap forward, black tee, multiple heavy iced gold or diamond chains with large pendants that read BR, PRE, PAPER, FRANKLIN-look, BM, BP, crown motifs, or RF initials across cuts; large iced watches and bracelets; large square diamond gold rings and other gold rings; cigar in hand on late leans.

Intersection and alley flex break the pattern.

Wide night city street intersection, lit skyline far behind. Fetty mid-performance lean-forward hands gesturing. Companion left looking off-camera left (looks like Bandplay) — Fetty shirtless with white-frame sunglasses and several heavy iced chains with large pendants; companion in a brown patterned bandana, white ribbed tank, silver chain, camouflage pants. Shirtless returns: looking down toward a bicycle with man left in white tank and gold bandana and man right on bike handlebars in camo tank and dark cap — dark street, white crosswalk, red signals; then center facing camera mid-rap with bike handlebars bottom-right and blurred city lights, man left slightly behind — white-framed or dark rectangular sunglasses; two thick diamond or silver chains with large PF or BFC pendants; watch; companions in gold or brown patterned bandanas, white tanks, camo pants, silver chains.

Dark outdoor industrial alley night. A figure that looks like Fetty looking forward; second man right gestures away toward a right building soft in frame. Pink portable toilet against the wall left — first in a black baseball cap, large silver chain with prominent pendant, black tee, dark pants, white sneakers; second in a black tee with white graphic on the back, black shorts, black and white sneakers. Lot night between a pink portable toilet and a dark-red door — Fetty gesturing forward, Person B left looking toward him — Fetty in a black tee, black bucket hat, sunglasses, black leather trousers, large diamond BP pendant chain; Person B in a black tee with gold BB logo, tan patterned bandana, silver chain, silver watch. Narrow alley under a harsh vehicle-headlight beam — figures that look like Fetty and Bandplay center; Bandplay lookalike right holding a white styrofoam cup soft in frame; high industrial walls; red portable toilet left — Fetty lookalike in a black tee with large gold BB chest logo, black shorts, black sneakers, thick gold chain, watch soft in frame; Bandplay lookalike in a black tee, dark baggy pants, black baseball cap, gold chains soft in frame.

Dim living room insert. A figure that looks like Fetty sits a beige couch leaning forward looking down at his hands. Second person right stands gesturing open palm toward him soft in frame. Olive wall and closed blinds left — first shirtless in a red beanie with white text or graphics, multiple thick iced chains with large pendants; second in a pink patterned top, dark shorts, silver watch partly out of focus soft in frame. Indoor close view that looks like him: torso and hands on a vibrant red game controller thumbs mid-play. Couch or chair with light cushion and dark Greek-key pattern. Shirtless — large iced watch left wrist, multiple heavy iced Cuban chains with at least two large circular iced pendants, dark pants or shorts bottom of frame soft in frame.

Foliage hide. Extreme close-up of a face that looks like Fetty peering through dark green foliage at night, heavily shadowed — only dim warm light on eyes, nose bridge, and lips. Leaves frame top and bottom. Fashion unreadable. Another peer that looks like him through thick dark leaves focused on camera — only eyes, nose, and mouth in dim light, rest deep shadow; looks like a dark hoodie or head covering blending the background soft in frame. Fashion mostly unreadable. A third peer that looks like him from behind dark leaves next to a vertical stone pillar, face partial, mouth slightly open. Dark clothing almost hidden. Fashion unreadable.

Blue-brick and teal night keep cycling mid-to-late.

Right hand near chest left hand extended toward the facade looking left — barred white-frame window with NO TRESPASSING inside, black decorative metal security gate door, triangular roof peak under bright neon green glow. He leans the blue-painted brick wall under two barred white windows looking down hands low — small black-and-white sign behind the left window bars soft in frame, heavy green-tinted overhead light. Left-of-frame he adjusts the baseball cap before white horizontal siding. Exterior teal building with green awning — frame rotated about ninety degrees counter-clockwise so the ground appears left — arms held out at sides. Grassy yard night beside the teal building under green overhang light, right hand toward the cap, torso forward, Dutch angle. Inverted residential night — frame rotated one hundred eighty degrees, ground at the top — he stands center looking down toward the lens under dark cyan and emerald wash; a walk that looks like him passes a building also inverted beside a bright blue wall and slanted green awning. Performance cycles on the same green-lit facade: point at camera that looks like him; both hands raised mid-rap; looking down-left; both hands to the chest; profile pointing fully right; waist-up right hand raised; feet apart mouth open mid-rap with NO TRESPASSING in the left window bars; lean forward looking down-right; gesture toward the face; mouth open mid-speech; both hands near chest and shoulders; hands down looking at the ground; right hand toward a barred window with PRIVATE PROPERTY NO TRESPASSING readable; both hands up near the face; right hand downward; hands near chest vibing — black tee, black athletic shorts or black pants or black knee-length shorts, black sneakers, black baseball cap or black trucker hat with white circular or oval logo (some TRAP-look patch, some white and green circular logo, some small green side insignia), multiple heavy gold or silver iced chains with large circular medallions and pendants that read BFC, PFC, BKG, green P, or crown motifs across cuts, diamond or gold watches, large rings. One walk-past cut flips the fit: mint or beige short-sleeve button-down with matching shorts, dark vertical side text, white athletic sneakers — Person B in dark shirt and dark baseball cap soft in frame. One night beside light siding and brick he faces away toward the right while a Bandplay lookalike behind looks toward him — Fetty in a light reflective short-sleeve jacket over dark shirt with a large watch; Bandplay lookalike dark tee, dark baseball cap, large iced pendant chain, watch soft in frame.

CCTV-style beat soft on ID: a figure that looks like Fetty left against a white wall or doorframe with hands raised as a second person in the foreground back-to-camera interacts soft in frame. Green grade, scanlines, barred window right — first in dark clothes, black baseball cap with white logo soft in frame; second in a pink body grey-sleeve short-sleeve shirt soft in frame. On-screen: CAM 01 top-center, red rec dot top-right, date 09/04/2026 bottom-center.

Solid black title card. White centered credits. INSTAGRAM small all-caps at top. Stacked bold: @FETTYPFRANKLIN, @IAMBANDPLAY, @LACEDVIS. Same card again.

That is the video. Laced open. Smoke in the armored bay. Wet-floor trash and CRT yard. ALL I KNOW on green-lit blue brick. Trailer overalls and bandana. Charlotte seal on the truck. Cash to the ear. Bushes. Black Instagram stack. Https://www.youtube.com/watch?v=9HRXlDeOtOY

## What people are saying

HotNewHipHop calls the record another certified catchy Fetty P / Bandplay collab after early snippets fans praised for catchiness, in a busy 2026 Charlotte run following “Trident,” with Bandplay pedigree named against Key Glock, Young Dolph, BigXthaPlug, and NLE Choppa, and Fetty’s Southern street-rap on the beat as they build a collaborative project. Qobuz / Run Things lock the September 4, 2026 single window. The Stylish Insider earlier credited Laced Visuals on Fetty’s “Grind It Up” — prior director context for the Laced Visuals credit on this film’s title cards. On YouTube the artist-channel upload asks if y’all fw the video and want more; commenters say they replayed the previews for days, that Fetty raps like he talking to his nephews, Carolina we up, real trapping music, Bandplay listened to the old Fetty P tapes and recreated the old sound, FRANKplay, Peewee Longway for a remix, black Pennywise in those bushes, next to blow, streets been missing this.

What sticks when the picture dies is the loop the camera already built — same rooms, same wardrobe returns, same motions it would not drop.

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