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Otherside opens in the dark, with Sameer Gadhia standing alone in a room by a tall arched window. A ceiling lamp glows above him as he stands in profile. Then we meet Sameer Gadhia properly: a red patterned shirt, a vintage microphone, and that arched window behind him with a pink sky.
The scene shifts to a dim room where a person lies on a lit floor below a red rectangle on the wall. A figure appears inside the red rectangle on the wall. A woman stands in the shadows, and the room fills with soft spots of light. The band plays together in that speckled light. A quiet shot finds someone resting by a window with a tall curtain. Someone lies on a pink bed beside the curtain.
Sameer Gadhia waits in a doorway, half lit, watching. Midway through, we drop into a room washed in red light, with glowing equipment in front. Sameer Gadhia leans in close, mouth open, singing. A man in glasses and a light jacket plays guitar. Sameer Gadhia stands by the arched window again, holding the microphone close.
Near the bridge, a bald man with a beard rests his head on his hand, eyes shut. A long-haired man is caught in shadow. A man with his hair tied back looks down. The band appears again, small figures playing in the dark. Sameer Gadhia returns to the microphone, singing straight ahead. Up close, he sings with his eyes half closed.
The video ends back in the red studio, the band behind the mixing desk. Then the screen goes dark and text appears. Throughout, the video keeps going back to Sameer Gadhia at the arched window.
Official video: https://www.youtube.com/watch?v=HHHQscLkkcs
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Follow the lyrics
I see you, do you see me on the TV?
Say hello to yourself
Sameer Gadhia stands in a dark room near an arched window.
Who am I if you are you?
Just maybe, we met outside ourselves
Sameer Gadhia, in a floral jacket, sings at a vintage microphone in front of an arched window.
No, I can't be anybody else, but me
I see myself best in you
Sameer Gadhia sings at the microphone with the pink-lit arched window behind him.
I don't want to lose control
We are just the same on the other side
Sameer Gadhia sings at a microphone.
You know
It's the end of the world, but we feel alright
A figure is seen through a glowing red window in a dark room with a lit floor.
My love
I'll see you in the other side
Band members play instruments on a dim stage.
I am you, you are me on the TV
Fighting for our love
Sameer Gadhia sings into a microphone.
We don't get what we want
A man sings at a microphone.
Just maybe, we get what we deserve
And you can't be anybody else
Sameer Gadhia, in a floral jacket, stands half lit in a dim doorway.
But you see yourself best in me
You don't want to lose control
A band plays on a dim stage with a drum kit.
And we are just the same on the other side
You know
Sameer Gadhia sings into a microphone.
It's the end of the world, but we fell alright
My love
In close-up, Sameer Gadhia sings into the vintage microphone.
And I've never been good at saying goodbye
But I know
Sameer Gadhia sings at a microphone.
I'll see you on the other side
Sameer Gadhia stands in a dark room beside the arched window.
So hold me in your arms, baby
You know how I've been lately
A man in a dark room.
Hold me in your arms, darling
Tell me that I'm not crazy
Sameer Gadhia sings into a microphone.
Hold me in your arms
Sameer Gadhia sings at a microphone.
So hold me in your arms, baby
You know how I've been lately
A man with tied-back hair looks down in dim light.
Hold me in your arms, darling
Tell me that I'm not crazy
Sameer Gadhia sings at a microphone.
We are just the same on the other side
You know
Sameer Gadhia sings into a microphone.
It's the end of the world, but we feel alright
My love
Sameer Gadhia sings into a microphone.
And I've never been good at saying goodbye
But I know
Sameer Gadhia sings into the vintage microphone, his eyes half closed.
I'll see you on the other side
A band on a stage.
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